I created "Reality Bytes" in 2004 although the computer modelling was started some 3 years prior to this video.
I was not altogether happy with the background music that I had created for this piece as it was a bit "rushed". I have subsequently remixed another soundtrack for it which I hope you will enjoy.
Showing posts with label steveshep12 animations. Show all posts
Showing posts with label steveshep12 animations. Show all posts
Saturday, 14 November 2009
Saturday, 7 November 2009
Christophers Dream
"Christopher's Dream" 2001 was created from a jumbled collection of computer models that I had created some time previously. The helicopter was my first real computer model, a Wessex Lynx modelled in around 1999. I felt very "accomplished" as I had worked out the setup for the independent rotations that needed to travel with and match the movement of the helicopter body. I also remember how at the time the demands on computer memory drove me to be in a continuous upgrading mode with my hardware in order for me to create this animation, which was my first attempt to "tell a story".
Dockland Illusion 1983

The above painting was painted using "Humbrol"enamels above a sheet of well "primed" 6mm sheet steel mounted upon a hard wood frame.
The central image is the same as my painting "River Mosaic" that is utilised as the "Banner" for this "Blog".
The central image is the same as my painting "River Mosaic" that is utilised as the "Banner" for this "Blog".
At the time that I created "Dockland Illusion" I was fascinated by pattern and realised that it could be used to form an image, as in the principle of "mosaic" that utilises small coloured cubes to represent more complex forms, but that also pattern could be used to distress or disrupt an image as with for example raindrops on a windscreen or that indeed it could also be used to integrate multiple images into a single "whole"..
This idea became the underlying principle in the creation of this piece as at the centre pattern is used to form the image (in the form of tiny squares of colour) whereas in the surrounding "outside" areas pattern is used to disrupt and also to form the idea of a dockland surrounding (integrating a number of seperate "images" into the illusion of a singular "whole")..
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